Showing posts with label Futurepop. Show all posts
Showing posts with label Futurepop. Show all posts

Wednesday, 22 March 2023

used and violated by for all the emptiness

 



With a fascinating blend of such genres as Futurepop, Glitchcore, 90s industrial and EBM for all the emptiness  is a musical project started by vocalist and composer Jonathon Kaplan.  Inspired by the emotional response that music can evoke in others for all the emptiness has released a new EP entitled used and violated.  

 

The title track “used and violated ” is an innovative piece that is driven by a pulsing baseline and beat interspersed with glitchy and stuttering sounds woven in the mix.  The vocals are provocative and the lyrics are dire and resonant.   “dead inside” begins with haunting vocals entwined with an ascending beat.  The song progresses as dueting vocals, one ethereal and one askew and aggressive, twist and turn through an Industrial Futurepop soundscape.  Distortion and disorientation heralds the track “all I am” with the melodic female vocals creating an intoxicating accompaniment to an almost robotic awry male voice.  The music perfectly complements the provocative lyrics.   “sell the sins” is a stunning musical blend of various genres all accentuated by dark and menacing lyrics.  With music that reeks cleverly of emergency and urgency “at the brink”  builds a sense of fear and dystopia.  The off kilt vocals add to the cultivated growing feeling of peril.

 

Overall the EP used and violated is a wonderful example of how genre boundaries can be pushed and result in something creative, unique and exciting. 


Links: 


Bandcamp : https://foralltheemptiness.bandcamp.com/album/used-and-violated


Facebook : https://www.facebook.com/foralltheemptiness


Spotify : https://open.spotify.com/album/609L5vhxz9YwgAT4I1L24i?si=n26C5EBEQf-i4ZMHhr7GLg




Friday, 19 August 2022

Voicecoil

 



Denver based Futurepop act Voicecoil has a name inspired by a component of a speaker that band founder Mark Sousa describes as “something we all use to consume music and other media”.  The component is basically used to convert an electrical signal to the vibration that we actually hear through our electronics.  The unique name popped into Sousa’s head when he was trying to come up with a name for the project to release their first songs.  Thinking the name Voicecoil was perfect for his needs Sousa ended up making it one word to make it stand out and simplify searching for the project.

 

ComprI sing of Sousa and at times, during live performances, various live line-ups ranging from one or two keyboard players, a guitar player and even a drummer at one point, Voicecoil now consists of Sousa and a keyboard player on stage.  Although Sousa admits he “would love to find a drummer if the right one came along.”

 

With music that centers around Pop/Dance compositions that have a traditional Pop song structure, Voicecoil admits the band doesn’t get too deep into the music genre game.  Sousa acknowledges that his “music is synth based and Poppy but has lots of dark theme. People will call it what they like.” 

 

The creative process of Voicecoil can vary at times.  Sometimes Sousa is inspired by a chord progression he likes that he can build a song around and on occasion a synth sound will inspire him to create a melody around it.  Even inspired by his dreams Sousa admits that now and then he hears musical ideas in a dream and he “wakes up to try and bring them into the real world.”  This either results in something sounding close to what he heard in his dream or sometimes it doesn’t.  It’s a haphazard process.  

 

Sousa does all the artwork for Voicecoil and though he says he isn’t a graphic artist he creates what he describes as “simple, minimalistic artwork” a style that has always appealed to Sousa.   He explains that he is “severely vision impaired and so things like contrasts and form are very important to me as that is generally how I view the world around me.”

 

Sousa enjoys playing in front of a live audience and relishes the thrill of connecting with people that are into something he created.  “Songs can sound different live and that’s always interesting to see how they translate”  Sousa says.  Touring also allows Sousa to travel and see new places which he enjoys.  When describing performing live Sousa explains  “when the lights are going and the music is loud and people are dancing, you can lose yourself in a moment and the only thing that matters is the moment you are in.”

 

Despite touring having become more difficult for smaller acts due to the pandemic and financial stresses, Voicecoil would like to tour again soon. There are many places all over the world that Sousa would like to travel to and perform in. He hopes that someday soon he will be able to perform in Germany, the country he was born in.   

 

Sousa believes that Voicecoil’s music will progress organically.  He also started working on a side project called Gravity Corp which is more aggressive and angry music, something Sousa hasn’t explored as much.  Sousa wants the listeners and fans to know that every little bit of support shown towards a band is appreciated and is important even purchasing things like T-shirts or buying an album on Bandcamp.  Sousa says that this kind of fan support goes “beyond keeping them creating and keeping our culture going, it also usually helps keep the lights on and keeps people fed.” 

 

To a new listener Sousa simply suggests they listen to the music and make their own judgement.  “Art is so incredibly subjective” says Sousa.

 


Links :


Facebook : https://www.facebook.com/voicecoilmusic


Bandcamp : https://voicecoil.bandcamp.com/album/singularity


Webpage : http://voicecoilmusic.com/news

 

Tuesday, 16 August 2022

Strange Days by Voicecoil

 



The theme of loss was a huge inspiration for the new album by Denver Futurepop group Voicecoil.  During the pandemic the uncertainty of not knowing what was going to happen made everything around Voicecoil lead man Mark Sousa seem terrifying. “Then people started to die and I thought my whole world was ending” explains  Sousa  

 For most of the time during the pandemic Sousa couldn’t write.  When he was finally able to create music again he was very inspired.  “I also thought about the course of my life, what I wanted out of it and what I owed to those who believed in me when I was alive” , he says.   


The cathartic effect of music and music production have helped Sousa express how he felt after such a tumultuous world event. The songs “If/When” and “Vesterbrogade” reflect that point in particular.  The idea that you keep going as long as you can and make your life what you want it to be or die trying became a focus for Sousa.  He was inspired by a woman that he cared for very much who suffered a lot pain in her life all the while enduring it with courage. “No matter how much she hurt she had words of encouragement for me.  That will always stick with me.”  Both “If/When and “Vesterbrogade” take the listener on an almost frantic music journey with riveting beats and haunting lyrics.  


During the pandemic people Sousa loved dearly passed away in the span of a year and a half.  According to Sousa these people were the kind of people you only get to meet once in your life and he was devastated by their loss.  “For Katie”, “Why” and “Drift”, are songs all written by Sousa for people that he lost.  “For Katie” has a persistent and nostalgic sound with melancholic lyrics.   “Why” is a layered music journey with imploring lyrics and vocals towards the end of the song   “Drift” takes the listener on a musical odyssey with a tinge of hope afloat upon a beautiful melodic soundscape.  


 Engulfing the listener into a pervasive soundscape of evocative trance beats “Witness” has hypnotic vocals.   “Speak In Sine” has a techno dance orientated pop structure with retro sounding vocals. “Above The Static” instantly transports the listener into a fast paced technoid environment with dark lyrics and undulating, entrancing vocals.  Using repetitive bass lines and factory ambience “Line in the Sand” is filled with ominous lyrics and cautionary vocals.

 

“No Easy Reply” “is focused on the instant judgement of the internet age and the court of public opinion, often armed with no evidence making a judgement and decision about something.  Sousa describes this phenomenon  as “the mob mentality, cloaked in a veil of righeousness.”  He goes on to say that “that kind of thing always seemed to terrify me.”  “No Easy Reply” has foreboding lyrics adrift in a fast and retro beat.


The album Strange Days is a compelling pilgrimage through the soundscape inspired by Sousa’s personal experiences throughout the pandemic and is well worth a listen.