Showing posts with label soundscapes. Show all posts
Showing posts with label soundscapes. Show all posts

Thursday, 7 July 2022

Revolver - Sirens of Light

 


When asked to describe the inspiration for doing a cover of the song “Revolver“ Andy J Davies of the London based Goth Rock band Sirens of Light had this to say

“When a piece of art is put into the public domain, the original meaning of it becomes almost  irrelevant…..what becomes of more importance is how the art resonates with the individual experiencing the piece. Clearly, any piece of work is, therefore, contextual to the time it is experienced. For me, the original song was always a great song regardless of its era, but, in the current climate, after the global pandemic and living in a world where social media and reality TV shows are king, I would expect most people to be able to relate to the idea of reaching for their revolver in one way or another. I always felt the song was emotionally way more angry than the original sounded and in this cover we’ve focused on that.”


The Sirens of Light’s rendition of “Revolver,“ a song originally by Boston based Post Punk band Mission Of Burma, called “That’s When I Reach For My Revolver “is a chilling ambient take on the song. The original version had a little controversy as the title was taken from a Henry Miller essay which unbeknownst to the band was a misquote from a German playwright and nazi sympathizer.  

The Sirens of Light version, “Revolver“ creates a more threatening and menacing soundscape accompanied by haunting vocals that are perfectly congruent with the desperate and doom filled lyrics.  This version is a wonderful synthesis of the disillusioned  and foreboding message in the song.  


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Sunday, 3 July 2022

Dark Electronica EBM Band The Number H

 

Pennsylvanian Dark Electronica EBM band The Number H had its unique name chosen by band member Elizabeth Horahan.  Based on a personal moniker she has used, it is a hybrid of a personal nickname H and her obsession with the cult classic TV show “The Prisoner“ where the main characters name is Number 6.  The show deals with universal themes important to Horahan like identity and individualism.  “Its something that always resonated with me“ explains Horahan.

Having initially been intimidated about taking a step into the music world, “ my first foray up until now was being absolutely terrible at the violin in 4th grade“, she found herself in the company of really wonderful and supportive friends who encouraged her to make music.  Working on her own she released a song via Obscure Sorrow Records Horahan and met Tom Rhymer of The Russian White.  Rhymer also happened to run Lost Glacier Records.  After bonding over what Horahan describes as a big Taco Dinner, before a show Rhymer was playing in her city, Rhymer encouraged her to start taking her music seriously.    Horahan began working with Producer and Engineer Sean Marz of Five Locks.  

Following several traumatic years and having to deal with multiple life altering and awful events in a short period of time Horahan became completely disassociated.  Finding music has proved a very constructive experience for Horahan  allowing her to find herself, express herself and work towards some semblance of recovery.  She explains that at some point, in varying degrees, everyone must deal with “pain, loss, regret and death“.  It’s important that “we feel them, hold them, understand them and find somewhere to put them down.“ she reiterates.

A fan of “found art“, a phenomena  Horahan  describes as using bits of other items put together in a new way with some  original pieces to create something new.  This might include clippings and objects for visual art or words and sounds from several sources for found poetry.  

A majority of Horahan‘s songs contain quotes from Shakespeare.  She describes Shakespeare as  a huge influence on her even before she started in music, having seen her first Shakespearian play at the age of seven.  The timeless nature of Shakespeare‘s thematic work as well as his poetry being used to convey concepts and feelings are hauntingly enduring to Horahan.  Sounds of the mundane are inspiring to Horahan and her songs contain harvested sounds like frog noises, a doorstop, a passing train and the sound of her running as well as found poetry.  

Having a very strong friendship and artistic relationship with artist Jay Arch, who is the mastermind behind Black Magic Films resulted in him making the music video for The Number H’s song “Nothing” as well as the cover art for both EPs.  “Jay has an incredible artistic vision and I feel extremely fortunate to be able to work with him and to call him my friend”, says  Horahan who has also collaborated with Arch on unrelated photoshoots.  They discuss the mood and feeling that the band want to convey and what materials will help with that portrayal.  

Starting with a feeling Horahan’s creative process has her using inspiration from various sources.  “For the  track “Grief” I received some really upsetting news and wanted to channel that into a constructive outlet. “ Finding solace in the words of Shakespeare spoken by Constance in King John she was able to express that grief is like waves, surging and ebbing.  “I picked pieces of the verbiage that fit with the waves and in working with Sean, we developed surging sound scapes to really embody the feeling, completely enveloping the listener and then retreating.”

Horahan hasn’t done a live performance with The Number H and doesn’t think for this particular project it is necessary.  As far as the direction of the band goes she says that remains to be seen.  As Horahan evolves she says that the music evolves with her.  She hopes that her music is enjoyable and that in some way the listener is able to connect to it.  Horahan encourages new listeners to her music to listen to her song “Miss Me”. She challenges listeners “ if they ever thought a song could have a base layer of a phone recording of someone running. “ She is interested if listeners can tell and what they think.  The Number H provide some unique and fascinatingly beautiful music for new listeners.  


Links 

Bandcamp : https://thenumberh.bandcamp.com/

Spotify : https://open.spotify.com/artist/2lat8kwVukm6WPIRgb1Exk?si=5g-iLCkdRB-BFfq8JLWjxw


The Number H The Conditioning


 Pennsylvanian Dark Electronica EBM band The Number H describe their new EP The Conditioning as
 
“The songs are a complex journey from the realization of the reality of a bad situation, the inner conflict that results from that realization, the decision to remove oneself from the situation, and then to never look back.  The title referencing the act that put us into the bad situation in the first place.  Being groomed and conditioned over time to accept what would normally for us have been unacceptable”

Beginning with a thunderstorm, ‘‘Nothing‘ has taunting and echoing lyrics and a mesmerizing electronica beat.  “Grief“ presents a cleverly layered soundscape that immerses the listening into a surging and ebbing sound experience.  “Tell Me “ has an entrancing rhythmic beat that is interspersed with enticing whispered lyrics.  “Miss Me“ includes sounds of the singer running, which she describes as “not only a great outlet for stress, but also a way to remove oneself from a location or situation.”
Representing the hurtling and unstoppable repercussions of a decision, “Hideous Dream“ features the rhythmic and unrestrainable sound of a train.  The last track, “Undone“ has an almost wavering soundscape carried forward by an energetic rhythmic beat and eerie recurrent lyrics.  

Overall The Number H’s EP The Conditioning is an intoxicating soundscape which beckons the listener taking them on a dark and exotic journey. 


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