Showing posts with label post punk. Show all posts
Showing posts with label post punk. Show all posts

Sunday, 22 February 2026

Repetition by Peak Flow

 


The new single Repetition by UK Post Punk/ Synth duo Peak Flow is a brooding collision of post punk tension and synth lit melancholy.  It plays like the soundtrack to a relationship on repeat.  Bright synths offer brief moments of clarity before the guitars swallow them in static. The melody seems to keep reaching upward even as something darker coils beneath, mirroring a relationship stuck in the same snake like looping argument.


The synths try to soothe, but the undertow of noise keeps dragging everything back into the conflict.  Grinding textures meet razor like synth lines, creating a tension that never quite resolves.  It’s the sonic equivalent of two voices locked in the same old clash, with equal parts of desire and frustration.  Repetition seems to stalk forward on industrial grit and nostalgic neon hued hooks.  It ultimately sounds like two people beautifully and abrasively circling the same emotional drain.  




Links:

Bandcamp : https://peakflow1.bandcamp.com/


YouTube : https://youtube.com/@peakflowband?si=0cixhuCDt32HcTTz



Wednesday, 23 August 2023

Running To You by Peak Flow

 



” We are inspired by instantaneous noisy music and really wanted our first single to encapsulate this feel. We wanted to explore universal concepts everyone can relate to but with our own dark twisted viewpoint.”

 

Peak Flow



Post-Punk Gothic duo Peak Flow‘s single "Running To You" is a hauntingly poignant Post-Punk ballad that delves deep into the complexities of a fractured relationship. The song's evocative lyrics and melancholic melodies capture the essence of yearning to relive the moments of happiness that once were, and the painful awareness that the damage has become irreparable.

 

As the nostalgic vocals begin, the listener is drawn into a vivid portrayal of a tapestry of memories and promises made in the throes of love.  Amidst the driving rhythm and atmospheric synths, the lyrics evoke a sense of a battle of emotions, resignation, a bittersweet realisation that moving forward is the only viable option.

 

The song's climax delivers a powerful musical and emotional crescendo, as the dual perspectives collide in a dissonant harmony. The instrumentation swells, mirroring the intensity of the conflicting emotions while the closing moments of the song taper off leaving the listener with a lingering sense of loss and contemplation.

 

A testament to the raw emotional depth that Post Punk music can achieve Running To You“ is an entrancing juxtaposition of yearning and acceptance amid the complexities of real-life relationships. The passionate melodic arrangements enhance the emotional impact of the song.





Links :


Smart Link : https://emubands.ffm.to/runningtoyou

 













Links: 

Smart Link https://emubands.ffm.to/runningtoyou

Peak Flow


UK Post-Punk Goth duo band Peak Flow were inspired to name their group in honour of their music which they describe as “anthemic, rhythmical wave lengths.”

The band, made up of James and Jools had a mutual interest in 80s Synth bands and Goth bands like The Cure and Flesh for Lulu.  They both also had an appreciation for Post-Punk bands like Joy Division and The Mary Jesus Chain.  The band states that “we wanted to put our own spin on music that has influenced us and create something that would stand up to other contemporary artists with bold production.”

When describing their creative process Peak Flow starts with lyrics and guitars and the duo then builds synths around it to create punchy catchy songs with good hooks.  Peak Flow describes their songs as covering “various emotions that happen in life and we choose song releases based upon the ones that stick in our heads.” 

Heavily involved in the aesthetics and look of the band James and Jools clarify that they ”are huge fans of 80s gothic bands and really wanted to revive this look in our own music. We were fortunate enough to be able to work in collaboration with some talented film and artwork creators such as Zak Rashid and Giannis Kipreos who could bring our vision to life." 

To stay creative and inspired Peak Flow says “We have a lot of demos currently and want to create a body of work that we can be proud of by hopefully gaining a larger fan base that has the same lust for noisy hook music as we do.”

Peak Flow enjoy engaging their fans through social media and share as much of their creative process as they can.  They explain “The band has a strong DIY work ethic, and we feel people can connect with this through our social media pages.”

in the near future Peak Flow hope to release an EP.  They say “we are hoping to keep the aesthetic and musical direction the same as ‘Running To You’ instant, noisy and hook driven”.   

For new listeners to Peak Flow the band suggests “if you like anthemic pop music check out our latest release. We have more in the pipeline coming soon.”

 

Links :

Smart Link : https://emubands.ffm.to/runningtoyou




   


 

Sunday, 13 August 2023

Don’t Be A Fascist by Tantrum Zentrum



“There are two themes, really. The most obvious one is about how destructive extreme political ideologies can be, dividing families, lovers, friends. The less obvious one is about language and my mother’s background. She was born and grew up in Southern Bosnia and the way they speak is very interesting to me. In addition to their dialect of Bosnian, they also incorporate many (mostly corrupted) words borrowed from Italian, French, German, Turkish and Arabic. In our latest song, I mimicked that by mixing Bosnian and German with English.”


 Vaat Dafuq from Tantrum Zentrum



Tantrum Zentrum delivers a thought provoking Post-Punk creation that delves into two distinct yet entwined themes.  Using a striking blend of languages while unflinchingly exploring extreme political ideologies “Don’t Be A Fascist” is a clever soundscape that encourages reflection, dialogue and understanding of the world around us.  “Don’t Be A Fascist” has captivating melodies, intoxicating layered vocals and clever intermingling lyrics. A testament to the power of music as a vessel for both meaningful storytelling and authenticity the song has both lyrical depth and musical innovation.  





Links : 


Bandcamp: https://tantrumzentrum.bandcamp.com/

                   https://tantrumzentrum.bandcamp.com/track/dont-be-a-fascist








Tantrum Zentrum





Post-Punk band Tantrum Zentrum came up with their band name in a unique way when two of the band members Sabine de Rousseau and Vaat Dafuq where in another band. “Sabine and I were in another band and played at a ​small festival in Europe, where the headliners were intolerable ​divas, throwing tantrums at every opportunity (our then guitarist ​had had enough of them and detuned their 12-string guitar just ​before they went on stage). The word “zentrum” (“centre” in ​German) was also part of their name. So, in honour of that band, we ​named ours Tantrum Zentrum. It means that if you want to throw a ​tantrum about something, come join us and we’ll do it together – ​just watch out for your guitars.”

 

The bands current lineup is Sabine on guitars, synth and vocals, Vaat on vocals and drums, Kur Putchnik on drums and sampler and Val Schimmer on bass and vocals.  Vaat explains that the members of Tantrum Zentrum have “all been in bands for years; it’s become a way of life for us. I ​think that we all, very early in our lives, recognised the emotional ​and intellectual impact that other people’s music has on us, but also ​felt the need to express our own experiences, thoughts, ideas and ​feelings through the same medium. The way that music influences ​people is usually very strong and immediate, and we all felt that it ​was the right artistic form for us.”

 

With all members of the band having grown up with the Post-Punk genre and with musical influences such as Sonic ​Youth, Killing Joke and Talking Heads, Vaat describes the bands particular style as “Post-Punk is a very broad genre and ​it’s one of the few pop/rock genres that is very open to ​experimentation. Anything goes, really, and influences from other ​musical genres are very welcome. We all listen to a wide range of ​music, from classical, to pop to thrash metal, and we feel that this ​“post punk” genre allows us to incorporate all these styles into ​one coherent sound.”  

 

When it comes to the band’s approach to songwriting Vaat says “I usually start with a programmed beat and a general idea of what ​the song will sound like. Then I either start with a bass line or a ​guitar theme. After that, the song slowly develops, with the input ​from other members”.  Tantrum Zentrum want their music to “project an image of fun and positivity, ultimately. But ​the songs usually start from a place of anger, anxiety or discomfort. ​I’m hoping that, through music, we transform that seemingly ​negative energy into something positive and relatable”.

​

With a look that comes from Gothic/Post-Punk fashion Tantrum Zentrum say that “we try to expand on that with elements of psychedelia and gender non-conformism. We like to encourage men of all ages to wear interesting clothing and make up in any situation, not just on stage. Maybe this will one day stop society making assumptions about someone’s sexual orientation based on their appearance?”  Band members Sabine and Val lead the way in the bands visual aesthetics.

 

The band finds inspiration by listening to music and Vaat explains “We have many musical friends who are doing some really ​interesting stuff – to me, collaborating or just listening to their work ​inspires me to continue.”He also says, “sometimes it’s as simple as swapping instruments and seeing ​what happens (not always good).”

 

Tantrum Zentrum describe themselves as very much a live band that focus on performing rather than just recording. “To us, music is a ​communal art form. We enjoy sharing our musical ideas and the ​emotions that come through music. There’s no ​better feeling than ​playing in a sweaty dark club while everyone in the audience is ​dancing and letting their hair down” says Vaat. Playing live is also a way that the band enjoy engaging with their fans.  They also acknowledge that “the in-person ​contact is the best way for us to build that connection. For us, music ​is a conversation – a way of communicating and sharing ideas and ​feelings. We do try to remember this even when I’m telling silly ​stories in between songs.”

 

Planning to move away from the Mechanical Motorik beat Tantrum Zentrum want to start exploring more complex rhythms while keeping their music danceable and fun.  They also hope to create “more dark disco songs because we ​love seeing people’s aching middle-aged bodies move”. Tantrum Zentrum have another single and video coming out in autumn and will be really focusing on live performances.  

 

For new listeners to the band Tantrum Zentrum says their music “may be weird, it may take you to unusual places, but that’s where ​the fun is.”









Links :


Facebook : https://www.facebook.com/tantrumzentrum


Spotify : https://open.spotify.com/artist/4tAbkKTFjx3rV8FoyxAMgF?si=iBCxaOItQJmoRXrHZaukfA


Bandcamp : https://tantrumzentrum.bandcamp.com/

 

 

 

 

 

 

 

 

Tuesday, 16 May 2023

Another Kiss by Candy Coffins


  

“I love all the songs on the album, obviously - they’re my babies, but “Another Kiss” is so special to me. I love the dynamics of the song and the brevity of, yet how impactful, the lyrics. But truly I love this song so much because the band, along with producer/engineer John Furr, were able to create what was in my head so closely - the sonic juxtaposition of the prelude to and the actual event of losing control. And many times, that’s what artists are chasing, whether it be film, physical art mediums, or music - it’s that vision in your head. That’s what I am always chasing, and this song gets there.  Ever since this song was written, I have envisioned a video that presents life on a timeline with the pressing urgency that comes with time seeming to move faster as one ages, as we all experience. I was elated (and a little surprised) that I was able to get that vision pulled off so succinctly, yet eloquently, in my opinion. “

 Is how Jame Lathren of The Post Punk New Romantic group Candy Coffins describes their new song, “Another Kiss.“

 

Beautifully indulging in the intricacies of Post Punk and Neo Romanticism, “Another Kiss“ propels the listener through a mesmerizing musical journey.  Combining introspective lyrics, powerful vocals and atmospheric instrumentals the song effortlessly grapples with the ephemeral nature of time.  “Another Kiss“ is a beautifully layered musical tapestry that is simultaneously dark, ethereal and melancholic.  


Links :


Bandcamp : https://candycoffins.bandcamp.com/track/another-kiss


YouTube : https://youtu.be/ocJGzxaIqFw


Spotify : https://open.spotify.com/track/2XBREJg9IaooLsot4Rko2S?si=0lIpqYItSqqlsb9kNo0qog

 

 

Candy Coffins

 




 

With a name inspired by a candy, Jame Lathren of Candy Coffins explains that “Years ago my brother and I were playing some music together and for whatever reason our conversation went back to candy we had liked when we were kids. He said, “Do you remember those plastic coffins that had candy bones in them? What were those candy coffins called?” I said, “I don’t know, but you just named my next band.” Of course, he was referring to the discontinued 1970’s candy “Mr. Bones” by Fleer.”  

 

The Post Punk New Romantic group Candy Coffins comprises of singer songwriter Jame Lathren and  Tom Alewine, formerly from Bachelors Of Art on lead guitar.  Long time friends and band mates Alex Mabrey is on bass and backup singing while Justin Purdue plays keys.  Former touring drummer for Iron and Wine, Jonathan Bradley plays drums and his addition to the band has contributed to what Jame describes as “bringing forward textures that work really well with the songs.”  

 

For Jame, growing up in small Southeastern towns and loving music by bands like Duran Duran, Fixx, Adam and the Ants and Gary Newman, he was granted what he says is “an admiration for artists who were not on popular radio. It also gave me the rich experience of being the outcast, someone who had vastly different tastes than those of my peers, where I found myself completely outnumbered among kids who did not take well to things that were different and who were comfortable letting me know, sometimes violently. The critical thing that this upbringing did for me was to imbue in me a resilience as well as a hyper-awareness for my feelings that would later permeate my music.”

 

Getting older and going through college Jame travelled more within the US as well as internationally which added to his arsenal of sound.  Jame was able to experience everything “from Hardcore Punk Rock, Post-Punk, Traditional World Music, Electronic music and Indie rock, with each of these contributing to my expansive musical archives, resulting in me creating several bands along the way. The common thread of these musical ventures that attracted me was the drive to get right at the heart of the emotions that surround the human condition”.

 

With the dissolution of his band Crown the Cake, Jame decided to take his music in a different direction. “I wanted to write songs that were solely for my enjoyment. The idea of no rules or expectations with my artistic output appealed to me. I worked into my songs what was innate to me, and these elements came from my historical musical library.”  With this philosophy  Jame believes that listeners can now hear “touches of hardcore punk, post- punk, new wave, goth, indie rock, as well as today’s darkwave, and other genres”. Jame explains that when listeners pay close attention to Candy Coffins‘ music, they will be able to tell that they are first generation listeners to those genres “we are leveraging those sounds because they are baked into us. I am driven to craft songs that tastefully pay reverence to the greats of these genres and create fresh and exciting work at the same time.”   Influenced by wide and varied musicians Jame admits to being inspired by Post Punk and some Goth while  astute listeners of Candy Coffins most likely will be  able to hear hints of 1990’s Indie Rock and Neo-Psychedelia. 

 

When it comes to songwriting Jame says “I want the atmosphere of the song to emulate an emotion in a way that it draws the listener into that emotion, if only for the length of the song. I work to make my lyrics pleasing to the ear, but also clever. I love the art of weaving words and lines together to make them into something new and cohesive.” Personal experiences and emotions also drive Jame to write songs. He confesses “I can be in a terrible mood, sit down and write a song, and come away feeling totally different. Also, at times I am attempting to capture emotions I see in others.”

 

Serving as a vehicle for his artistic output as a songwriter and a lyricist Jame also admits that through Candy Coffins he also works to “drive a complementary, cohesive aesthetic that is applied to all we do - our promotions, videos, album artwork, even our stage presence. I cannot underscore enough how much the band contributes to the magnitude of the impact our sound has. Each being an expert musician, they are intrinsic to a finished Candy Coffins song: suggesting approaches, adjustments, arrangements and of course their personal flavors of sonic delivery.”

 

“With regards to playing live, I have always held that the performance should be just that - a performance.”  With this ethos Candy Coffins treat live performances as an event that they devote time to and provide entertainment through to viewers and listeners.  Jame believes “This is intrinsic in our music videos, which I hope is apparent. We have gone to great lengths to attempt things that are obviously well-planned, premeditated pieces. For instance, look no further than our full live set that we documented on video during the pandemic via “Live From A Distance.””

 

Jame finds inspiration by being immersed in any kind of art and this in turn helps with his desire to create.  He finds this kind of stimulus can be what he calls “as obvious as delving into a new musician’s work and exploring it, or as seemingly unrelated like watching skateboard videos. I find watching skateboard compilations that skate companies put out very stimulating to my creativity. I also feel uneasy not creating.”

 

Striving to achieve the highest standards as a lyricist Jame describes himself as his “own most discerning editor”. He challenges himself as a song writer by hearing or remembering elements of a song that may seem to have a  structure that seems obtuse or with a new time signature.  During the pandemic he adamantly decided not to write a dark song feeling that “would be too easy given the times.”  Taking three months he instead wrote “Seaside Girls” which he describes as “an upbeat sun-drenched rocker on the album.”

 

Loving live performances, Jame believes “I often say that there are two types of musicians - those who enjoy recording and being in the studio, and those who enjoy playing live. I definitely fall into the latter category” . 

 

Jame describes himself as being “so obsessive about what I do that studio time can lead to insanity because I have this overbearing awareness that we are creating an artifact that will stand as-is and represent me forever in some way. Therefore, it can typically never be perfect enough. That’s a horrible feeling.”  Due to this Jame finds playing live appealing.  He cites three reasons for his love of live performances.  Jame explains  “The first is that you play the songs and what’s done is done. Unless someone is recording the performance, it dissolves into the air. Another element that makes me love performing live is the artistic ability to affect an attendee’s emotions right there on the spot - to cause them a sense of solace or melancholy or elation. That is powerful. The final reason playing live is so appealing is that it is a giant emotive catharsis for me. I’m a part of all of these songs, and I get a chance to convey them as viscerally or as transparently as they were intended.”

 

Jame works hard to establish a connection with his fans, and he says “I emote, posture, make eye contact and instill passion in the entire performance. I want attendees to feel, through me, what I intended the song to elicit in listening to it. I want the attendee to believe I am experiencing what I am singing about at that moment.“  He is open, inviting and appreciative of fans and after watching musician in the music scene for a long period of time he has noted that he thinks interaction “makes people feel good or bad about an artist, to like or dislike about an artist, and clearly treating everyone with respect and having immense appreciation that they are investing their time, energy and money in us should be highly respected. There is no value in being negative, especially with those who are what fuels your fire.”

 

Whatever endeavour Jame takes on he takes it as far as he can and Candy Coffins is no exception.  He reveals that he wants “to get our songs into as many people’s ears as possible and then bring the music to them via live performances. I would really like to explore touring in the UK. I think our music would be well-received there.”

 

For new listeners to Candy Coffins, Jame states  “I put absolutely everything I can into every aspect of Candy Coffins. I truly believe that we have something new to offer that seems vaguely familiar, but is vital, new and refreshing at the same time. I craft music and its surrounding artwork so that it can be enjoyed on many levels. The more time you spend with it, the more you find subtle secrets that likely were not noticed on first pass. We are consummate professionals in what we do - we take it very seriously. This is not just thrown together. I would also like to believe we can capably evoke various emotions in listeners. To me, that is the essence of art. We strive to always achieve that.”

 

 Links:

 Facebook : https://www.facebook.com/candycoffins


Webpage : https://candycoffins.com/


Bandcamp : https://candycoffins.bandcamp.com/music


Twitter : https://twitter.com/CandyCoffins

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Monday, 24 April 2023

Good Intentions by BELLHEAD

 


“I like unreliable narrators.  When there is a solo survivor of a shipwreck do you take him at his word? I wanted to go all in on song lyrics that were open to interpretation.  Are the intentions truly good or is there something else unseen.”Is how Chicago based Post Punk duo BELLHEAD describe the premise of their soon to be released EP Good Intentions.

 

“Bad Taste”, the first track on the EP, has a breathless, urgent gothic sound with hypnotic mumblings and a hint of industrial steampunk entwining deliciously with provocative and insinuating lyrics.  With a buoyant wave coursing through the music “Into The Deep” lulls the listener with almost siren like vocals before turbulent and crashing lyrics seem to drag and plunge into something darker, lurking deep within the musical soundscape.  “Valentine” begins with an eighties nostalgic sound reminiscent of teen movies from that era and the innocent love stories they depicted before it takes on a more sinister and twisted suggestive tone with unsettling and evocative lyrics.  Starting with heavy, thrashing music “Apathy”, takes the listener on an enthralling, mesmeric voyage with indifferent and detached lyrics delivered in a soporific, chanting vocal style adding perfectly to a sense of apathy and disinterest.  “No Big Deal” has an industrial sound with growling and threatening male vocals that loom and are on occasion lifted and reprieved by a lighter female vocal that adds maniacally to the sinister and foreboding journey the song takes the unsuspecting listener on.  With provocative and flamboyant vocals “Drugstore Keri” has raucous guitars that add to the swirling and narcotic feeling of a crescendoing high.  

 

From the suggestive EP cover to the individual tracks “Good Intentions” is a dark, wondrous musical adventure enticing the listener to hidden and murky places that are delightfully eerie and unnerving. 


Good Intentions is set for release on May 5th 2023


Links : 


Webpage : https://bellheadband.com/


Bandcamp : https://bellhead.bandcamp.com/album/good-intentions


 

 

 

 

BELLHEAD





Always attracted to songs with a big bass, Ivan of the Post Punk Chicago based band BELLHEAD has endeavoured to make his bass as interesting live as on a recording.  “I incorporate various pedals for dramatic effect” he explains.  Striving to write original songs that have never been heard before, Ivan makes the quirky admission that “To my knowledge we are the only band to rhyme Necromancer with Topless Dancer.”

Having been friends for quite awhile, Karen the second member of the BELLHEAD duo describes how the pair actually played in the same band but at different times for awhile.  Due to what Karen describes as a “series of unfortunate events” the pair ended up being bandless at the same time.  “So during a Chicago blizzard, we got really drunk, passed out to “To Wong Foo, Thanks For Everything Julie Newmar”, and when we woke up we decided to form a band.” Karen explains. For Karen her greatest musical influence is David Bowie who she describes as number one and “without him there wouldn’t be me.”

When asked about the bands unique name BELLHEAD, the duo quips “As for BELLHEAD Duran Duran was already taken, so that was the next best thing.”

 The duos creative process starts out small as what Ivan describes as “a bar of soap”.  He goes on to say “Sometimes Karen sends me a bass line and I get it up on trucks and show it to her.  Other times I take a riff I liked from sound check and build it out for Karen to review.”  From this point the duo rehearse and add intros and outros, structuring breaks before Ivan finalizes drums and any production such as piano or atmospheric sounds if the song requires it.

 Lyrics are the final part of the creative process for BELLHEAD and they are created using what Ivan describes as “scribbles” he feels fit the mood of the song.  Ivan believes that “if you listen closely to a song it will tell you the words.”  Once the lyrics are complete the duo rehearse the song extensively. Ivan explains this may result in “a couple of words will get changed, a bass sound will get polished, sometimes we find a section needs to repeat or be shortened.”  Ivan says “I would wager all our songs take around the same amount of time to write as it’s a process of living with the song and seeing how excited it makes us.”  Any song that the duo loses enthusiasm for is binned because the band agrees that “You can fake a lot of things but you can’t fake enthusiasm.” Songs that make it through this creative process are the songs that the band truly enjoy and have genuine enthusiasm for. 

 Both of the BELLHEAD duo are heavily involved in the band aesthetic with complete involvement in everything including details such as what brand of shirt they should print merchandise on. Karen illustrates that “We really make sure we have a strong aesthetic and brand that note only we enjoy, but all of the fans do as well.”

When asked about live performances Karen declares that “I would be happy on a stage the rest of my life over being in a studio recording.” Placing high importance on their fans Bellhead talk and listen to their fans and as part of this interaction Karen mentions “ Before and after every single shown you will find me at the Merch Booth because it’s important for me to engage everyone.  It doesn’t matter how exhausted I am after performing on stage I’m there meeting everyone.” 

“I’d like to be the first band  that plays on the moon” Karen states when describing where the duo see  Bellheadheading in the future.

 For new listeners to the band, Bellhead would like people to know “we make crazy sounds with two basses, and we will take you on a dark and exciting musical adventure.”  The band have fun on stage and enjoy fans joining in on the fun.  They also promise that “We’re going to sing about some intense stuff like serial killers and snuff films but after you see us the next day you’re going to be humming our songs in your head.”

 


Links :


Webpage: https://bellheadband.com/

Spotify : https://open.spotify.com/artist/2kG1HBhqba49nSNiN92pVg?si=2JlMzodjQf2E-sTOrI9QMA&dd=1

Bandcamp : https://bellhead.bandcamp.com/

YouTube : https://youtube.com/@bellhead3250




Sunday, 31 July 2022

JE T’AIME


Photo by Ingrid Thierry 



Post Punk Paris based band JE T’AIME is made up of trio dboy on vocals and synths, Tall Bastard on guitar and Crazy Z on bass and synths.  “We were inspired to form the band after writing the first single “The Sound”, the day had just dawned and we kept saying to each other : I love you man” explains dboy.  And so JE T’AIME was formed.  

 

The first three albums created by the band, JE T’AIME and PASSIVE/AGGRESSIVE explore the themes of the love and woes of a completely lost man.  The dichotomy of romance and disgust is explored in these albums.  “These first three records were all written in the same place, namely a house by the ocean in Brittany” according to dboy.  When creating music the entire band works together, although dboy concedes that often the band is drunk when they are creating.  “On the next album we will try to write drinking tea” says dboy.  


There is a perceptible desire in their music to make listeners want to dance. “The primary desire of this band has always been to make the European Gothic audience dance. “ Tall Bastard explains.  This gives JE T’AIME pleasure and this dialogue provides energy for the band to feed off of when performing for a live audience.  

 

“The three of us have very different musical backgrounds” guitarist Tall Bastard points out.  A self described “incorrigible Cure fan” he says that during the July heatwave he started listening to Japanese Whispers and despite The Cure album Faith being his inspiration for creating music he believes Japanese Whispers is their best album.

 

While telling what dboy describes as “awful love stories”, light and shadows and contrasts are themes that JE T’AIME enjoys exploring in their music.  The creative process for the band varies depending on the mood.  “You should also always remember to balance your album” dboy believes.  If the album requires a slightly calmer mood the band employs the use of a soaring synthesizer while if the record lacks but requires a fast track a drum with a high tempo will be added before a bass with a nasty fuzz.  In order to keep a certain consistency when working on PASSIVE/AGGRESSIVE JE T’AIME made a list of elements and moods they liked on the first album so they could maintain a consistency in sound between the albums.  

 

The band also acknowledges they have some literature and film influences when they are creating their music.  On the band’s first album, there is a sample from the 1973 French film by Jean Eustache “La Maman et la Putain.”  An avid reader, dboy helps alleviate his stress by always having a book to read which in turn can influence his creative process.  “Lately I have been enjoying rereading Victor Hugo’s love letters with Juliette Drouet , I love them.” Confesses dboy.

 

“We call ourselves a Post-Punk band” Tall Bastard says explaining that this is where the roots of the band come from.  Their music can be catchy but also darker then most Indie bands create.  “I feel that being called a “punk” somehow gives a certain responsibility to deal with a rather political issue” dboy believes.  Although they don’t generally have anything to do with politics they have put out an EP on which they invited bands Then Come Silence, The Foreign Resort and French band Diamond 2Klo.  The funds from the sales of this EP are sent to help the victims of the war in Ukraine.  “Maybe that’s a little bit of being a punk?” Asks dboy.

 

Believing that the cover of a record is a key element, JE T’AIME admits to taking great care in the design of them.  The first album cover was a photograph taken in a photo booth in the early hours of the morning in The Klub in Paris. The cover for the double album PASSIVE/AGGRESSIVE was created by a friend of the band, photographer Andy Julia.  Other graphic work for the album was completed by another friend of the band, Adrien Chapuis.  

 

For dboy life without performing on a stage would be a mistake.  He describes the stage as being like the band’s home and that everyone loves home.  “I often compare the stage to a pirate ship. It often sways, in the middle of the storm that a concert can be, but you must never sink it.”  

 

Future plans for JE T’AIME include world tours, new albums and lots of adventure.  When asked how the band would describe their sound to a novice to their music dboy says “ You take The Cure, The Police and Depeche Mode, mix it all together and you get JE T’AIME.” Tall Bastard adds “The Pixies! He always forgets to put The Pixies in that list!”

 

 

 

 Links :

 

Webpage : https://www.jetaime-music.com/


Facebook : https://www.facebook.com/jetaimethemusic


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