Tuesday, 16 May 2023

Another Kiss by Candy Coffins


  

“I love all the songs on the album, obviously - they’re my babies, but “Another Kiss” is so special to me. I love the dynamics of the song and the brevity of, yet how impactful, the lyrics. But truly I love this song so much because the band, along with producer/engineer John Furr, were able to create what was in my head so closely - the sonic juxtaposition of the prelude to and the actual event of losing control. And many times, that’s what artists are chasing, whether it be film, physical art mediums, or music - it’s that vision in your head. That’s what I am always chasing, and this song gets there.  Ever since this song was written, I have envisioned a video that presents life on a timeline with the pressing urgency that comes with time seeming to move faster as one ages, as we all experience. I was elated (and a little surprised) that I was able to get that vision pulled off so succinctly, yet eloquently, in my opinion. “

 Is how Jame Lathren of The Post Punk New Romantic group Candy Coffins describes their new song, “Another Kiss.“

 

Beautifully indulging in the intricacies of Post Punk and Neo Romanticism, “Another Kiss“ propels the listener through a mesmerizing musical journey.  Combining introspective lyrics, powerful vocals and atmospheric instrumentals the song effortlessly grapples with the ephemeral nature of time.  “Another Kiss“ is a beautifully layered musical tapestry that is simultaneously dark, ethereal and melancholic.  


Links :


Bandcamp : https://candycoffins.bandcamp.com/track/another-kiss


YouTube : https://youtu.be/ocJGzxaIqFw


Spotify : https://open.spotify.com/track/2XBREJg9IaooLsot4Rko2S?si=0lIpqYItSqqlsb9kNo0qog

 

 

Candy Coffins

 




 

With a name inspired by a candy, Jame Lathren of Candy Coffins explains that “Years ago my brother and I were playing some music together and for whatever reason our conversation went back to candy we had liked when we were kids. He said, “Do you remember those plastic coffins that had candy bones in them? What were those candy coffins called?” I said, “I don’t know, but you just named my next band.” Of course, he was referring to the discontinued 1970’s candy “Mr. Bones” by Fleer.”  

 

The Post Punk New Romantic group Candy Coffins comprises of singer songwriter Jame Lathren and  Tom Alewine, formerly from Bachelors Of Art on lead guitar.  Long time friends and band mates Alex Mabrey is on bass and backup singing while Justin Purdue plays keys.  Former touring drummer for Iron and Wine, Jonathan Bradley plays drums and his addition to the band has contributed to what Jame describes as “bringing forward textures that work really well with the songs.”  

 

For Jame, growing up in small Southeastern towns and loving music by bands like Duran Duran, Fixx, Adam and the Ants and Gary Newman, he was granted what he says is “an admiration for artists who were not on popular radio. It also gave me the rich experience of being the outcast, someone who had vastly different tastes than those of my peers, where I found myself completely outnumbered among kids who did not take well to things that were different and who were comfortable letting me know, sometimes violently. The critical thing that this upbringing did for me was to imbue in me a resilience as well as a hyper-awareness for my feelings that would later permeate my music.”

 

Getting older and going through college Jame travelled more within the US as well as internationally which added to his arsenal of sound.  Jame was able to experience everything “from Hardcore Punk Rock, Post-Punk, Traditional World Music, Electronic music and Indie rock, with each of these contributing to my expansive musical archives, resulting in me creating several bands along the way. The common thread of these musical ventures that attracted me was the drive to get right at the heart of the emotions that surround the human condition”.

 

With the dissolution of his band Crown the Cake, Jame decided to take his music in a different direction. “I wanted to write songs that were solely for my enjoyment. The idea of no rules or expectations with my artistic output appealed to me. I worked into my songs what was innate to me, and these elements came from my historical musical library.”  With this philosophy  Jame believes that listeners can now hear “touches of hardcore punk, post- punk, new wave, goth, indie rock, as well as today’s darkwave, and other genres”. Jame explains that when listeners pay close attention to Candy Coffins‘ music, they will be able to tell that they are first generation listeners to those genres “we are leveraging those sounds because they are baked into us. I am driven to craft songs that tastefully pay reverence to the greats of these genres and create fresh and exciting work at the same time.”   Influenced by wide and varied musicians Jame admits to being inspired by Post Punk and some Goth while  astute listeners of Candy Coffins most likely will be  able to hear hints of 1990’s Indie Rock and Neo-Psychedelia. 

 

When it comes to songwriting Jame says “I want the atmosphere of the song to emulate an emotion in a way that it draws the listener into that emotion, if only for the length of the song. I work to make my lyrics pleasing to the ear, but also clever. I love the art of weaving words and lines together to make them into something new and cohesive.” Personal experiences and emotions also drive Jame to write songs. He confesses “I can be in a terrible mood, sit down and write a song, and come away feeling totally different. Also, at times I am attempting to capture emotions I see in others.”

 

Serving as a vehicle for his artistic output as a songwriter and a lyricist Jame also admits that through Candy Coffins he also works to “drive a complementary, cohesive aesthetic that is applied to all we do - our promotions, videos, album artwork, even our stage presence. I cannot underscore enough how much the band contributes to the magnitude of the impact our sound has. Each being an expert musician, they are intrinsic to a finished Candy Coffins song: suggesting approaches, adjustments, arrangements and of course their personal flavors of sonic delivery.”

 

With regards to playing live, I have always held that the performance should be just that - a performance.”  With this ethos Candy Coffins treat live performances as an event that they devote time to and provide entertainment through to viewers and listeners.  Jame believes “This is intrinsic in our music videos, which I hope is apparent. We have gone to great lengths to attempt things that are obviously well-planned, premeditated pieces. For instance, look no further than our full live set that we documented on video during the pandemic via “Live From A Distance.””

 

Jame finds inspiration by being immersed in any kind of art and this in turn helps with his desire to create.  He finds this kind of stimulus can be what he calls “as obvious as delving into a new musician’s work and exploring it, or as seemingly unrelated like watching skateboard videos. I find watching skateboard compilations that skate companies put out very stimulating to my creativity. I also feel uneasy not creating.”

 

Striving to achieve the highest standards as a lyricist Jame describes himself as his “own most discerning editor”. He challenges himself as a song writer by hearing or remembering elements of a song that may seem to have a  structure that seems obtuse or with a new time signature.  During the pandemic he adamantly decided not to write a dark song feeling that “would be too easy given the times.”  Taking three months he instead wrote “Seaside Girls” which he describes as “an upbeat sun-drenched rocker on the album.”

 

Loving live performances, Jame believes “I often say that there are two types of musicians - those who enjoy recording and being in the studio, and those who enjoy playing live. I definitely fall into the latter category” . 

 

Jame describes himself as being “so obsessive about what I do that studio time can lead to insanity because I have this overbearing awareness that we are creating an artifact that will stand as-is and represent me forever in some way. Therefore, it can typically never be perfect enough. That’s a horrible feeling.”  Due to this Jame finds playing live appealing.  He cites three reasons for his love of live performances.  Jame explains  “The first is that you play the songs and what’s done is done. Unless someone is recording the performance, it dissolves into the air. Another element that makes me love performing live is the artistic ability to affect an attendee’s emotions right there on the spot - to cause them a sense of solace or melancholy or elation. That is powerful. The final reason playing live is so appealing is that it is a giant emotive catharsis for me. I’m a part of all of these songs, and I get a chance to convey them as viscerally or as transparently as they were intended.”

 

Jame works hard to establish a connection with his fans, and he says “I emote, posture, make eye contact and instill passion in the entire performance. I want attendees to feel, through me, what I intended the song to elicit in listening to it. I want the attendee to believe I am experiencing what I am singing about at that moment.“  He is open, inviting and appreciative of fans and after watching musician in the music scene for a long period of time he has noted that he thinks interaction “makes people feel good or bad about an artist, to like or dislike about an artist, and clearly treating everyone with respect and having immense appreciation that they are investing their time, energy and money in us should be highly respected. There is no value in being negative, especially with those who are what fuels your fire.”

 

Whatever endeavour Jame takes on he takes it as far as he can and Candy Coffins is no exception.  He reveals that he wants “to get our songs into as many people’s ears as possible and then bring the music to them via live performances. I would really like to explore touring in the UK. I think our music would be well-received there.”

 

For new listeners to Candy CoffinsJame states  “I put absolutely everything I can into every aspect of Candy Coffins. I truly believe that we have something new to offer that seems vaguely familiar, but is vital, new and refreshing at the same time. I craft music and its surrounding artwork so that it can be enjoyed on many levels. The more time you spend with it, the more you find subtle secrets that likely were not noticed on first pass. We are consummate professionals in what we do - we take it very seriously. This is not just thrown together. I would also like to believe we can capably evoke various emotions in listeners. To me, that is the essence of art. We strive to always achieve that.”

 

 Links:

 Facebook : https://www.facebook.com/candycoffins


Webpage : https://candycoffins.com/


Bandcamp : https://candycoffins.bandcamp.com/music


Twitter : https://twitter.com/CandyCoffins

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Suburban Spell’s Bright Gold Cross

 


 

The new LP by Synth Electronica band Suburban SpellFalling Down is described by the band as “expressly a statement on the vulnerabilities of the human condition, we all think we can take the high moral ground in our day to day to lives, we live primarily in safe and secure lives…yet we are all only a few sliding door moments away from all of this security falling away, something by choice, sometimes not”. 

 

The new single from the LP Falling Down “Bright Gold Cross” is said by the band to “directly alludes to the long-lasting repercussions of poor decisions and having those absolved by the church when on death’s door…a get of jail free card, as it were.” 

 

Delving into the themes of consequences and absolution, “Bright Gold Cross” is a provoking and emotive blend of electronic textures, with a beat that sets the tone for the contemplation of repercussions and redemption.  The compelling lyrics are poignant and the juxtaposition of them with the electronic musical elements seamlessly blend.   Expertly crafted music and a driving beat help provide intricate melodies and an engaging and immersive soundscape. 

 


Links :


Bandcamp : https://suburbanspell.bandcamp.com/


YouTube : https://youtu.be/YTiSimd71oI





Suburban Spell





Influenced by 70s and 80s Synth Pop and Electronica Suburban Spell is an instrumental expedition into modern Electronica. Founder Peter Endall explains that the band name has two meanings. “I’ve always been a Pet Shop Boys fan and the term “suburban spell” is mentioned in their classic 1986 song “Suburbia”. That song and its lyric content must have had an impact because it has stayed with me for all of these years.” The name also was inspired by Peter’s youth and what he describes as “suburban lifestyle and how we are all part of a “spell” that is cast over it, and this manifests itself in a desultory suburban life.” With a fascination regarding how people live their lives Peter admits that he “tries to capture those moments in time, not in an accusatory way but in an observational sense and sometimes in a very personal way”.  Primarily a solo act as far as recording and songwriting go, Suburban Spell frontman Peter Endall also enlists the assistance of his son Jack Endall on bass and JohnnyB on guitars when the band play live.

Having started playing keyboard at around the age of 8 or 9 Peter learnt the basics of music composition and established a good musical grounding. Realizing as a teenager that playing music was “cool” he began to play music with friends at high school. Peter says “my best mate Rick and I used to hang around record shops listening to cool electronic music and we then picked up some of these ideas and started playing live together, mainly to our school mates or family but it was great and fun and set me on my musical journey. More recently Rick was instrumental in getting me back into the technology side of things.”

His choice of musical general was inspired by an interest in what Peter describes as “juxtaposition that arises out of Electronic music having an emotional impact on the listener” his music quest became “to merge, blend and create music that is in its essence, Electronic yet in other ways is organic. The possibilities with electronic music are endless and only limited by your imagination, once you get past the technological challenges, an amazing world of music is right in front of you with no boundaries.”

Peter’s early music influences include pioneers of electronic music such as Jean-Michel Jarre, Kraftwerk, Klaus Schulz. He then naturally evolved into interests in Ultravox, Giorgio Moroder and Yello. Peter believes that “there is probably a linking theme that ties all of these acts together and I have probably subconsciously absorbed a lot of these melodic structures and rhythms.” His modern music interests include Japanese Post Rock outfit Mono, VNV Nation, Fragrance and Plague Pits.

With an approach to songwriting that involves what Peter describes as a process of “distillation“, he explains that he “usually start with a rhythm or a concept and build a sound or mood around this, after what is usually an extended building up of the parts (I still structure in the traditional sense of verse, bridge, chorus mid-8, outro / intro & instrumental) I will then expand and get rid of what is not working or distracting thereby distilling the track in an attempt to gets the music into its purest form”.  Keeping a scrapbook of lyric ideas that come from musings, overheard conversations or something heard or read, the actual writing of lyrics and melody happens after the music is written. Of his lyrics Peter says “They are usually simple concepts or lines that reflect or relate to the suburban life, its mysteries, beliefs, politics, social interactions, and probably most importantly, its vulnerabilities.”

Heavily involved in the aesthetic of Suburban Spell, Peter acknowledges two particular areas of influence “Brutalist architecture and the German expressionism art movement. These two influences and their monochromatic and dystopian forms have always appealed to me, the thinking behind Suburban Spell and what that means seem to resonate with this visual aesthetic. The approach where function comes before form has its own unique beauty…similar in a way to my thoughts on the juxtaposition of electronic music being an emotional art form.”

Without having to consciously think about it Peter finds he is inundated with musical ideas and themes and he believes “the artistic themes that Suburban Spell is interested in is so wide and varied, I can only see that creativity growing and maturing, I have so much more to say.”

With live performances being a fairly new experience for Suburban Spell it is Peter’s aim is to bring the performances up to a standard he is comfortable with and proud of. He says “I don’t think I’m a natural performer but I am prepared to give it my all and I’m busy ensuring my artistic theme works both in the studio and on stage. It's been great having Johnny B and Jack to help with all of this, they are my rocks when on stage!”.  Peter is also connecting with fans and enjoying the quick evolution of this continuing journey.

In terms of the future of Suburban Spell. Peter acknowledges an interest “in developing broader musical structures, e.g. longer, more musically developed themes that have stronger concepts and threads, I suppose being clearer in what I think Suburban Spell stands for and what it is that I’m trying to say”.

For those who are new to the music of Suburban Spell Peter explains “I’m trying to musically cross the bridge and create a beautiful dystopia, where we can have the cold power of electronic music mixed with a fragile beauty…think New Order meets Erik Satie. “

Links: 




Thursday, 11 May 2023

A Shoreline Dream’s “Driveaway”





“Driveaway” is the latest track by Progressive Shoegaze band A Shoreline Dream, for their LP Loveblind.

“Driveway was a track that came to be in a way we love most. Sitting down and just recording what comes to mind in an improv way. It was a very simple process and one which Erik and myself have been doing for decades. The message could easily be explained as a personal journey through the pandemic, where we all wanted to escape and literally drive away from the situation before us. The album collects those same thoughts and feelings throughout. It’s sometimes very isolating, other times exploding with emotion and walls of crashing waves, looking for that escape from the bizarre time in which we lived."

The track “Driveaway” is a beautiful blend of dreamy shoegaze and progressive rock elements. There is a swirling ethereal atmosphere to the song and the lush instrumental arrangement adds to this atmospheric soundscape. The interplay throughout the song of the various instrumental layers help to create a rich sonic tapestry resulting in a mesmerizing musical experience.




Links : 

YouTube : https://youtu.be/qlUL2oGVpzY


Bandcamp : https://ashorelinedream.bandcamp.com/track/driveaway


Spotify : https://open.spotify.com/album/7upDbQ8su13r10XL9FAMOl?si=QZb09q_jQEKxyR3kgrzEWg

 

A Shoreline Dream



         



With a name that the band describes as “ironic” the Progressive Shoegaze band A Shoreline Dream chose their name in response to what they say is the way “the human race always strives for living and building some sort of fantasy in deceptively dangerous places… only to realize years later their dreams come crashing down from the realities that were always right before their eyes. Our music is that sort of “crashing” that takes place all through our lives.”

A Shoreline Dream has had an evolving lineup, but the core and current members are Ryan Policky and Erik Jeffries. Ryan’s passion for music started when he was a child. He identifies two key moments that contributed to his love of music “seeing Bon Jovi in the “Livin’ On a Prayer” video, which for sure sparked a huge interest in actually becoming a performer, and Iron Maiden’s debut album for wanting to develop and create album recordings. I’m a horror freak and once I realized dark music existed, I was onboard.”

With a simple yet profoundly important approach to song writing Ryan explains “My studio is where I work and live in, and I always find myself utilizing the tools all around me to convey what is really going on inside. I also hope to reach those going through the same emotions and strive to connect.” For Ryan song writing is a necessary component of his life and provides an outlet to express his emotions and feelings.

Citing such bands as Dead Can Dance, Cocteau Twins, Massive Attack, Porcupine Tree, Type O Negative, and even extreme music creators like Skinny Puppy, Death and Carcass as influences on A Shoreline Dream, Ryan is most inspired by bands and music that breaks the barriers and develops their sounds irrespective of external pressures to sell records. A Shoreline Dream says
“Dark, moody, progressive music has been a huge influence, especially once atmospherics and dreamy visuals are brought on by the music in question.”

Working for a self-owned label the members of A Shoreline Dream control the aesthetics of the band completely. Having developed their image carefully Ryan attributes his involvement in the band aesthetics to “Working in a design field (advertising, animation, video production and game design) for many years has brought together a keen eye into what our visuals need to be.”

In terms of creativity and keeping the band and music interesting and engaging Ryan explains “Staying creatively inspired is just staying alive. Day to day the main job is creative. I just worked on the latest pinball machine for John Carpenters Halloween amongst numerous animated pieces for clients across the board, from advertising to video games. I also have developed my own live immersive show that combines Haunted Houses and Pinball Tournaments, which has gone on for a decade now. So if it’s not music or sound design, creativity is constantly flowing.”

Loving live performances, A Shoreline Dream believes that this is when they can truly engage with the audience and establish a connection with other people in the world. They describe the experience of performing live as “Nowhere else can you feel an energy like you do from people that actually connect with what you have created. We’ve played in front of sold-out venues and small rooms, and either way it’s been amazing to experience that feeling with the people before us.”

The band attempts to be engaged in every way possible with their fans. They don’t oversaturate their fans as is the habit now with many bands by over explaining every aspect of their music on social media. Instead, A Shoreline Dream prefer to “strive to keep that mystery alive while still giving the important news when we need to.” In terms of new music, A Shoreline Dream lets the music they create guide the direction the band is heading in. Of their future the band says, “It’s a crazy world as of late, so we plan to keep hanging on to the ride we are on, while exploring everything we’ve always wanted to create while it’s still possible.”

For those interested in listening to the music of A Shoreline Dream the band explains “Our music is meant as a soundtrack to the moments that guide you. Driving, dreaming and guiding along the way. It’s a landscape of tone and sounds that tell the story of a Shoegaze inspired group of people who came together to take those inspirations and make them something you may have never heard before. We hope you dive in and find this out for yourselves.”

Links :












Wednesday, 3 May 2023

Metamorph’s Spellbound Empress

 



On Beltane, midway between the spring and summer equinox, Witchy Goth Pop band, led by Margot Day released their new EP Spellbound Empress.  The EP is enigmatically produced by Metamorph Alchemist Erik Gustafson.

“Spellbound”, a cover of the Siouxie and the Banshee classic, is a vivid and poignant picture of desire and surrender beautifully played out within an ethereal textured musical soundscape.  The unique and atmospheric fusion of Post Punk and Gothic Rock elements with a touch of Metamorph’s unique magic is further enriched by the enchanting and forlorn vocals and the haunting, poetic lyrics.  With an almost foreboding and tumultuous introduction “Empress (Remake: The Plague)” has a spiraling gothic twist with imploring and magical vocals and lyrics.  “Empress (Eva x Remix)” has an energetic and infectious beat with seductively sinister vocals that reverberate and echo satisfyingly through the electronica layers of the remix.  The instrumental version of “Spellbound” is a breathtakingly ambient fantastical musical journey through a tiered gratifying auralscape.  With an edgy industrial sound “Empress (Caustic Remix) “ has a mysterious and otherworldly melody with purposefully distorted and resonant vocals.  “Empress Instrumental” has a delightfully techno sound with a hard persistent beat that draws the listener into a musical maze guided by melancholic and bewitching vocals.

Overall, the new Metamorph EP is an exquisitely alluring and mystical music quest.


Link:


Spotify : https://open.spotify.com/artist/16gi6CU7X1YfV4BIVbjZXo?si=Y6HtlX2lRGSiw3v6z54dtg


Facebook : https://www.facebook.com/Metamorphmusic


Bandcamp : https://margotday.bandcamp.com/music



Tuesday, 2 May 2023

Luna 13


 

Dark Electro Metal duo Doc and Lilith from Luna 13 based their name on the 13 full moons of the year.  Originally a solo act Doc as Luna 13 headlined at Burning Man in 2015 and despite the success of the performance it was suggested that a female front would further enrich the band.  Doc says “I put out a message and Lilith responded. She worked at a year around haunted house, and I knew she would be perfect for the lead. She got the job right away.”

 

Doc’s early interest in music resulted in him playing bass in a Black Metal band in his teen years.  He explains in 2007 I saw the Prodigy live in London. I could not believe how heavy they were.  I realized if I created a black metal version of the Prodigy, I could end up creating one of the heaviest sounds out there. Luna 13 is a result of that realization.” 

 

For Lilith her passion for music started in orchestra as a child and she learned about music from her father who is a retired music teacher. According to Lilith “From there it was listening to artists like Angela GossowOtep Shamaya,Brody Dalle, and many others that gave me that spark of wanting to sing metal music. What drew me in was getting to hear other women like me powerfully use their voices in a way that I felt a lot of connection with.”

 

Doc describes Luna 13 “as honest as it gets with its sound. A real hybrid of 80’s death metal and dark electro.”  Having a passion for 80s Black and Death Metal Doc has found inspiration in the music of Possessed, Celtic Frost, Metallica, Slayer and Voivod. He then says he “shift gears and love dark ambient projects live Aphex Twins,Boards of Canada and Lustmords.”  Lilith adds Arch Enemy, In This Moment, David Bowie, Korn, Queen, Amy Winehouse, The Sisters of Mercy and many more as being sources of influence on her music.

 

When approaching song writing Doc confesses that “I have constant bass lines going through my head.”  Initially he programs a Death Metal drum track and then he wraps bass lines around it.  He reveals that he tries to “create the heaviest “low end” electro out there. The songs DIG and GORGO really hit that spot.”  Lilith views song writing as an opportunity to give “artistic expression of either what’s going on in the world, myself, or sometimes utilizing stories to build confidence and empower those who need it.”


With occult imagery and theatrical live performances Doc and Lilith are both heavily involved in all aspects of the band including the aesthetics.  Doc says “we make everything ourselves. I personally love combining dark aesthetics and sound.” Everything that Lilith does visually or vocally is all her own work. She explains “I write my lyrics, sing them, scream them, alter outfits and props, create my own choreography for the dance and movements involved. It’s all a love of mine”.

 

With entertaining and theatrical performances, the Luna 13 duo both have exceptional talents to bring to live shows.  “There is nothing like performing live and feeling Luna 13 under your feet. It’s a super powerful project” according to Doc.  Lilith loves “ theater, the making of movie special effects, the costumes and makeup art, acrobatic and dance movements, all of it. From a young age I’ve found a lot of joy in these things and how intertwined they are with music in expressing feelings, telling stories, or sending important messages or protests through art.”

 

 

The band's latest project is a remake of the song “Monroe of the Dead” Originally written before Lilith joined the band the remake will be with Luna 13’s upgraded sound.  Doc reveals that he believes “Lilith will slay that song and I just finished with the music, and it will be one heavy track. I believe this will evolve into a “Monroe of the Dead EP”.  Lilithis working on new music and a new music video and confesses “I’d like to bring more of the empowering dark goddesses, deities, theyities, kind of themes and messages through all of it in one way or another.”

 

For the future Luna 13 will continue to create art that allows people to connect and engage.  Doc is working on what he describes as a new “more powerful type of trap Metal. Merging double bass and trap style beats. I want our next full release to be an upgrade”.

 

For anyone new to the music of Luna 13, Doc enticingly describes Luna 13 as “a groundbreaking project that will continue to be one of the heaviest electro projects out there.” While Lilith captivates new listeners with the seductive promise that the music of Luna 13 “sounds kind of like opening the puzzle box from Hellraiser.”

 



Links :


Bandcamp : https://luna13music.bandcamp.com/


YouTube : https://youtube.com/@luna13music


Facebook : https://www.facebook.com/luna13official


Spotify : https://open.spotify.com/artist/7mzWnPp42hjTU6ZCAJX6Ae?si=JvP8VQKHRFGH1PlXK9e2ZQ



 

 

 


Monday, 1 May 2023

RED PILL by Alien Creation


 

The red pill in the movie The Matrix serves as a sort of location device to find the subjects body in the real world and prepare them to be unplugged from the Matrix. Alien Creation take this premise and build on it to explore the gullibility of humans in the face of scams and corruption carefully disguised within the enticing neon lit internet obsessed world in their track “RED PILL”.

The conspiratorial and condemning nature of the lyrics are enhanced by the swirling and buzzing Electronica, layered synths of the music and the taunting, aggressive vocals.  The track is a disconcerting, accusatory journey attempting to disturb and awaken the internet zombified general public.  


Links :


Facebook : https://www.facebook.com/Aliencreation1


Spotify : https://open.spotify.com/track/2SWkOYgZ1Yxv09AIb4CW8o?si=wChdj6niSJKHuFVAoizSQA


YouTube : https://youtu.be/usWwFVqCeJw

Peter Jennings Disciples - Not Enough Bridge


 

Taking inspiration from the old saying “water under the bridge” referring to surrender to a past which we cannot change, Reverend D.$ of Peter Jennings Disciples has written the song “Not Enough Bridge”.   With a self actualizing realization Peter Jennings Disciples twists the view on this premise and instead explores the idea that at times we must let others get swept away due to distressing shared events, and in an act of self-preservation, we simply let the traumatic events of the past and those associated with it go.

“Not Enough Bridge” has a seesawing, mechanical edge which add to a feeling of desperation and disorientation. Atmospheric, haunting vocals and surrendering lyrics all add to the dissociative state required to not only disconnect from a trauma but to disengage from those it was shared with in an attempt to save yourself.



Links : 

Facebook :  https://www.facebook.com/pjdband


Spotify : https://open.spotify.com/track/7lzh5ksIrJEfNRFvi2N4Nn?si=5AUmX9wPS2G8WO0q15Ep8Q&context=spotify%3Aartist%3A42UwTSMzrm2irfFQVist4Q

 

YouTube : https://youtu.be/che5gsDdJmo

The Antoine Poncelet Band - April


 New Jersey Post Punk Alternative Rock band The Antoine Poncelet Band have released the Dark Rock track “April”.   Immersed in an ethereal world and an imagined conversation between a forlorn lover and a prophet of sorts “April” by The Antoine Poncelet Band has an almost Jeff Buckleyesque feel to the opening  guitarscape.  The lyrics are heartfelt and laden with raw emotion as they explore the intricate struggle between love and purpose.  Evocative lyrics and imploring vocals lead the listener towards an enveloping crescendo of enthralling climatic darkness.  


Links :

Webpage : https://www.theantoineponceletband.com/

Spotify : https://open.spotify.com/track/0M8hAPhXlAOLQ2cHBbe8CY?si=JuaHNTbyR9Si5ED5ImkKBg

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